Critical Path

Australia’s leading centre for choreographic research and development

 

Supporting independent Australian choreographers to push the boundaries of contemporary practice.

FEATURED

Cloe Fournier

CRITICAL DIALOGUES #15: TIME

Contributions by Kay Armstrong, Nareeporn Vachananda, Rhiannon Newton, el waddingham, Natalie Quan Yau Tso, Laura Osweiler, as well as the transcript of the 2023 March Dance conversation ‘What happens in the pause?’ and a review of Angela Goh’s ‘Axe Arc Echo’.

From essays and academic texts to performance scripts and instructional scores, these works are written by dancers and movement-artists acutely attuned to time from corporeal perspective. They contemplate the relationship between human-time and the geological scale of time that surrounds them, the impact of gravity on one’s perception of time, the relationship between urgency and intergenerational trauma, the way that time (via memory) leaves residues within the body, the dizzying affect of epic regularity, and the value of pause in circumventing habits and accessing new possibilities.

Edited by Ira Ferris
Graphic design by Zoe Baumgartner

Read it here

Wayout in Kandos

2024 RESPONSIVE RESIDENCIES

The 2024 Responsive Residents are: Keila Terencio, Paul Walker, Victoria Hunt.

Keila is working on the research project: “Choreography for Two Bodies One Mind” which investigates forms of choreography through the artform of puppetry. 

Paul is exploring the act of slowing down and resting as a practice to bring the planet into healthier relationship of care.

Victoria is exploring the ‘prophetic body’ and ‘transmorphic states” considering “how do we embody the urgent grief cry of the world?”

Emele Ugavule

Spaces for Street Dance REPORT

Now available for download!

This invaluable resource provides a detailed insight into the make-up of Sydney’s diverse street dance community with an overarching goal to develop a deeper understanding of street dance community practices, provide a way forward for improved use of city spaces, develop stronger relationships between arts and business, and highlight the valuable contribution of street dance to the cultural fabric of the City of Sydney.

The REPORT is a culmination of a year-long research and feasibility study led by Dr Rachael Gunn and Feras Shaheen, in partnership with Critical Path and supported by City of Sydney. The research included a survey, focus group, and interviews, and has drawn on the expertise of our amazing Knowledge Circle (Poppin Jack, Red Lady Bruiser, Shazam, Eliam Royalness, Amelia Duong, Sammy the Free).

 

 

Your donation supports independent dance artists in Australia

Critical Path

The Drill, 1C New Beach Rd,
Darling Point (Rushcutters Bay), Sydney

Critical Path respectfully acknowledges the Gadigal, the traditional custodians of the land where the organisation is based.

Critical Path respectfully acknowledges the Gadigal, the traditional custodians of the land where the organisation is based.

We acknowledge and uphold the UN Declaration on the rights of Indigenous peoples, which states that; “Indigenous peoples have the right of self-determination. By virtue of that right they freely determine their political status and freely pursue their economic, social and cultural development.”

We support the freedom of First Nations expression and decision making within our organisation and acknowledge that First Peoples have been dancing, creating, and forging important research on these lands for time immemorial.