Reports

The ‘We Create Safe Spaces’ report has been researched and co-written by Jasmin Sheppard (Tagalaka, Critical Path’s First Nations artist-curator), and Joshua Staines (Wiradjuri), with artwork by Shana O’Brien (ties to Darkinjung and Dharug).

This report began at a gathering at the Drill Hall, Critical Path, on the 2nd of April, 2023. Ten First Nations contemporary dance artists based in Sydney began the conversation, highlighting how many of our community and our peers have had to battle the system, struggle through unhealthy ways of working, revealing the lack of scaffolding within arts organisations to support the unique way we work and inhabit spaces. Throughout the following two years, nineteen NSW-based or connected First Nations dance artists have been consulted through online and in-person discussions.

This project is supported by the NSW Government through Create NSW.

Critical Path’s Annual Report 2023
Designed by Andrea Cheng

Critical Path’s Annual Report 2022
Designed by Andrea Cheng

Critical Path’s Annual Report 2021
Designed by Andrea Cheng

Critical Path’s Annual Report 2020
Designed by Andrea Cheng

Critical Path’s Annual Report 2019
Designed by Andrea Cheng

Download the accessible Word doc here

Critical Path’s Annual Report 2018.

Designed by Kathleene Capararo.

Showcasing international artists who were involved in the Interchange Program from 2017 – 2019, along with highlights from the 2017 Interchange Festival and the 2019 Digital Interchange Festival, the website will act as an evolving archive for the Interchange Program.

Visit the website to view some of the distinctive, diverse and unexpected projects supported by the Interchange Program.

In 2018, choreographic artists Katina Olsen and Lizzie Thomson explored what it means to acknowledge Country by considering the land we live and work on, as part of a project supported by Woollahra Council and Blakdance.

Here is a list of texts, videos and experiences that the artists explored in their research

Critical Path’s Annual Report 2017. Designed by Kathleene Capararo. Accessible word doc.

Publication about Sioned Huws and her collaborating artist Reina Kimura’s residency with Critical Path in February 2017 creating a new version of Aomori Aomori tailored to the place and people they encountered in Woollahra.

Combining text, images and responses, this case-study brings to life the 2016 Body as Material development project. Part journey and part diary it is self-reflexive and disarmingly honest.

the first part Fall Back presents an overview of 2017 from January to October. Spring Forward then features a selection of some of the exciting activities that will top off the year.

Critical Path’s Annual Report 2016
Designed by Emily Nunell

Accessible word doc.

our half year review Jul- Dec 2016 is out.
Designed by Yeehwan Yeoh

Body of Ideas Photo Essay compilation

We’re launching our online half year review publication featuring Critical Path’s program happened between January to June 2016.

Check it out!