This issue of Critical Dialogues focuses on dance archives and specifically that of choreographers with an established and significant relationship with the City of Sydney. It marks the end of the first stage of a wider project, Dancing Sydney : Mapping Movements : Performing Histories, a partnership between Critical Path and the University of Sydney, University of New South Wales and Macquarie University, working with twelve artists/artist group from 2016 – 2020.
This publication features writing by Amanda Card, Kay Armstrong, Narelle Benjamin, Julie-Anne Long, Dean Walsh, Vicki Van Hout, The Fondue Set (Jane McKernan, Elizabeth Ryan and Emma Saunders), Melati Suryodarmo, Ghenoa Gela and Erin Brannigan. Co-edited by Claire Hicks and Elizabeth Chua.
Dancing Sydney Archive Project is supported by City of Sydney, 2019 & 2020.