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Read reports and writings from Critical Path and members of our community.
Working with artists with a choreographic practice and an interest to engage critically with choreography, Critical Path delivered a diverse program from June 2018 – May 2019 centred on the idea of Our Place in Time – what it means as an artist to practice in Australia now, our understanding of our place in history and what this means for our future.
This review document takes a look at the activities undertaken over the 12 month period, with images and quotes from artists.
In 2018, choreographic artists Katina Olsen and Lizzie Thomson explored what it means to acknowledge Country by considering the land we live and work on, as part of a project supported by Woollahra Council and Blakdance.
Here is a list of texts, videos and experiences that the artists explored in their research
The Body as Archive
In collaboration with Karl Ford, Rakini Devi documents her body as archive residency. By employing the body as the receptacle of memory, choreographer and performance artist Rakini Devi focused on key works that marked her journey in dance.
Publication about Sioned Huws and her collaborating artist Reina Kimura’s residency with Critical Path in February 2017 creating a new version of Aomori Aomori tailored to the place and people they encountered in Woollahra.
Combining text, images and responses, this case-study brings to life the 2016 Body as Material development project. Part journey and part diary it is self-reflexive and disarmingly honest.
the first part Fall Back presents an overview of 2017 from January to October. Spring Forward then features a selection of some of the exciting activities that will top off the year.
our half year review Jul- Dec 2016 is out.
Designed by Yeehwan Yeoh
We’re launching our online half year review publication featuring Critical Path’s program happened between January to June 2016.
Check it out!