Past Programs

Building on Critical Path’s Choreo-Hack lab in January, participating artists Jodie McNeilly, Henrietta Baird and Sarah Pini undertake a further research week to take forward ideas and connections raised during the lab. Their explorations situate different...

Archives should be places of transformation and translation, not just sites of accumulation, where bits of ephemera – notes, books, diaries, photos, videos – gather dust. We've started our Year 3 of our Dancing Sydney project and Critical Path has invited artists...

DANCING SYDNEY ARCHIVE PROGRAM The Archive Project, supported by Dancing Sydney in collaboration with Critical Path, began with a sequence of events that included a group visit to the State Library of NSW where participants were given important information on the...

Amrita Hepi and Jahra ‘Rager’ Wasasala will spend a week in the Drill Hall 25 February – 1 March. Amrita Hepi is an award winning first nations choreographer and dancer from from Bundjulung (Aus) and Ngapuhi (NZ) territories. Her mission as an artist is to push the...

Pepa Ubera is a freelance dance artist based in London whose choreographic practice expands into curatorial projects and the use of video in performance. Her work challenges social structures, questioning how the body behaves in the current context, mediating real...

Critical Path and Strange Attractor in partnership with Museum of Applied Arts and Sciences present CHOREOGRAPHIC HACK LAB, a one-week laboratory that brings together city-based practitioners to look at and be informed by new synthesis between the disciplines. We...

Ivey Wawn will be participating in a week of Research at Critical Path 14 - 18 January. Ivey  is an independent artist working with the logics of choreography and dance to make performance for a range of contexts. Her interests circulate around care (as a radical...

What challenges do senior female choreographers face? This conversation between choreographic artists aims to celebrate older women working in dance and introduce audiences to the process, practice and achievements of artists, encouraging different ways of looking at...

We are our inheritance. We are our perspectives. We are our imagination. We are bearers of time and relationship. We come into being in the space in-between. We are because of each other. This research involves entering a creative mist. Within that mist are thresholds...